Prepare to be thrown off balance. Cyndi Speer making her artwork both progressive yet accessible is a balancing act as dizzying as her paintings.
This Suffolk-based artist re-imagines local countryside into a waltz of the senses: her paintings bridging the gap between the familiar and the fantastic. One moment you’re turning your collar up against a frosty moon, the next you’re soaring up with swallows, only to tumble down meadows into the pale arms of a sandy beach. The animals depicted flow with the same energy as their habitats: climbing impossible slopes and settling in the nooks of fictional valleys.
Breaking new ground is a deliberate choice for Cyndi, avid to keep her practise fresh and innovative through artistic growth. “In a way it’s not a case of me choosing art – art chose me,” she says, adding: “I don’t want to just create work that is expected of me, because that would stifle me – I want to keep progressing. If you don’t push anything forward, nothing new will happen. And if we did that, all art would stagnate.”
Driving this progression is Cyndi’s experimental techniques. Blending water-based and oil-based mediums, she often starts by pouring a puddle of paint on a canvas, tilting it to form her signature curves and swirls, and letting the result dictate the final composition. Never static, Cyndi works on multiple artworks simultaneously due to the lengthy drying time of each layer of paint. For her, this recurrent discovery is the most exciting part of the process.
Although her paintings have widespread appeal, Cindy describes how difficult it can be staying on the straight and narrow in terms of advancing her style. “There is a constant battle for all artists between trying to be true to themselves and their practice, and trying to make a living making work they know will sell well. Lots of tourists come here [to my studio], and it’s tempting to be drawn into creating landscapes which I know they’ll like.”
To combat this, Cyndi is bringing in a touch of portraiture alongside an inspiring new body of work to her next exhibition Dream and Reality in Quay Gallery, Snape Maltings, Suffolk this October.
Cyndi’s yearly schedule is choc-a-bloc with exhibitions and sculpture trails – including making two pigs for the prominent Pigs Gone Wild art trail organised by Wild in Art, where a passel of painted pigs took to in Ipswich in 2016. Cyndi’s personal highlight was contributing to St Elizabeth Hospice and getting her artwork out of the gallery space into the minds and hearts of the public. Whilst not pandering to commerciability, Cyndi thinks that art should speak to a wide variety of people, and sculpture trails are an effective way to do this. “Art should be accessible for all, not just for the privileged few.”
From her studio deep in the Suffolk countryside, Cyndi’s passion continues to push her practice forward. Art lovers can be reassured that creativity will never be stifled in this artist, as Cyndi adamantly declares: “I will probably die with a paintbrush in hand!”
Discover more paintings by Cyndi on her website and read about more incredible UK artists and their own personal battles – including Matlakas and his imaginary fight, and fellow Suffolk-based artist Juliette Hamilton.